One hundred and ten years ago, in the summer of 1914, as the world teetered on the brink of war, Southampton found solace and amusement in the most unexpected of places: the enigmatic performances of "The Scarlet Mr Es".

This intriguing troupe of musicians and entertainers, shrouded in mystery and masked anonymity, captivated audiences at the iconic Royal Pier Pavilion.

Their arrival was not a novelty; year after year, the Scarlet Mr Es graced the stage, their popularity unwavering.

Each member, a master of their craft, contributed to the unique symphony of talents that defined their act.

Pianists, singers, and instrumentalists, all concealed behind captivating masks, created an aura of intrigue that drew crowds in droves.

Adding to the mystique was "The Jester," a character whose infectious mirth and playful antics provided a delightful counterpoint to the musical performances.

Together, the Scarlet Mr Es and The Jester offered an entertainment experience unlike any other, a delightful blend of music, mystery, and merriment.

The Royal Pier Pavilion, a hub of entertainment in Southampton, provided the perfect backdrop for these captivating shows.

On those glorious summer days, the pavilion's open-air setting allowed for "al fresco" performances, where the gentle sea breeze carried the melodies across the pier.

The allure of the Scarlet Mr Es was irresistible, and the cost of admission was a mere pittance. A mere two pennies, equivalent to a single penny today, granted access to an afternoon matinee, plus the pier toll, another two pennies.

Evening shows commanded a slightly higher price, with a seat in the stalls costing a shilling (5p today) and individual chairs priced at sixpence (2.5p today).

Flyers and posters adorned the town, enticing potential audiences with promises of an unforgettable experience.

"As in former years," they proclaimed, "the Scarlet Mr Es are paying a visit to the Royal Pier Pavilion, and their entertainments have always drawn large audiences."

The afternoon concerts were particularly lauded, described as "unique in the town," and the flyers painted a vivid picture of the idyllic setting: "Nothing is more pleasant than listening to a talented company in the enclosure on the pier."

The mystery surrounding the performers was a key part of their appeal. The flyers emphasised this, stating, "The little band of entertainers numbers six. They do not appear in name on the programme, but hide their identity under a mask."

Each member was then introduced with tantalising descriptions, further fueling the curiosity of the public. Mr E No.1, a baritone singer with a repertoire of "the finest songs," set the stage for an evening of vocal delights.

Variety was the spice of their performances, and the flyers highlighted the diverse talents of the troupe. Mr E No.2, an "expert banjoist," and the enigmatic "Tubellophone," a curious invention of Mr E No.3, promised to break the monotony of vocal performances.

The Jester, described as a "real fountain of fun from whom mirth bubbles out in ever-sparkling play," was sure to keep the audience in stitches.

Mr E No.4, a pianist with a penchant for "amusing excursions" on the keys, and Mr E No.5, a singer with a vast repertoire of popular melodies, rounded out the ensemble.

The flyers concluded with a resounding endorsement: "Altogether the entertainment, which is given twice daily on the pier, is well worth attending."

And so, in the summer of 1914, the Scarlet Mr Es wove their magic on the Royal Pier Pavilion stage, leaving audiences spellbound and eager for more. Their masked identities, their musical prowess, and their enigmatic presence created an unforgettable experience, a cherished memory in the hearts of Southampton's residents.