ANY 1970's play, albeit by one of the country's leading playwrights, setting out to reflect the superficiality of the period, runs the risk of appearing dated in our sophisticated world.

Not so this sharp production of Christopher Hampton's early work, presented in an intimate studio setting by a company clearly on top of its game.

Set in the world of university academia, the play focuses on Philip, a "kind, safe and reliable" bachelor don, who is fascinated by words but oblivious to almost everything else - including the frustration of his fiance Celia at his continual weakness and indecision. Lies, superficiality and deceit serve to end their relationship, not least with the help (or hindrance) of some of their so-called friends.

Albie Minns' tight direction gave the play's humour full rein and the audience an evening to savour.